Candid Confessions of Atlanta Store Managers About Big Poppa and Kimberly Zolciak of the Real Housewives of Atlanta

Please check out the fabulous website www.prettyontheoutside.com/gilmore to admire more incredible pieces of art and commentary.

On Friday night,I had the pleasure of dining with some friends who are in the retail business.They are both managers of luxury retail clothing and accessory stores in Atlanta. I asked them whether any of the Real Housewives of Atlanta shop with them. One of my friends, who is the manager of a women's clothing store, said that Kim Zolciak shopped with her. The clothing in this particular store (not Dior which Kim constantly talks about) runs small. As any viewer of the show can clearly see, Kim is not petite in any sense of the word. She is a big chubby girl who flaunts her fake boobs all of the time. I was informed that Kim requested all of her shirts in size extra small so that her cleavage was always exposed. What an exhibitionist and attention seeker!! She added that Kim definitely had a compulsive spending problem and purchased one of everything, whether it fit her or not. Can you say obsessive compulsive disorder? I hope she is investing in a good therapist! My friend also stated that Kim was very loud and very demanding. On another occasion, my friend and some of her associates were at a table at a now defunct bar/restaurant called "The Clubhouse". Kim walked in and pitched a fit because my friend was sitting at "her table". Are you surprised? NOT! Where does she get the notion that the world revolves around Kim?

My other friend, who used to manage a very upscale French boutique which is known for its intialed handbags and accessories, said that Big Poppa Lee Najjar and his wife shopped there frequently. They spent alot of money but talked down to the manager and the employees.

Question: What does Mrs. Najjar thinks of Kim and the Real Housewives of Atlanta? I am curious to see how this all unfolds. Can you say Season 2?

Great Kim Zolciak Caricature!!

This great caricature was created by Gilmore, writer and artist extraordinaire of the blog http://prettyontheoutside.typepad.com/gilmore. She creates wonderful ink on paper portraits of all of the housewives with great commentary. Make sure to check this blog out.

Bankruptcy Public Records of One of the Real Housewives of Atlanta

This is a matter of public record. The following appears on the Public Records from the Chapter 7 Bankruptcy of Lisa Wu Sweat( now Sharon Hartwell) on the Real Housewives of Atlanta. At the time she was married to music man Keith Sweat and was unsuccessful in making a movie entitled "Blackball".

UNITED STATES BANKRUPTCY COURT
NORTHERN DISTRICT OF GEORGIA
ATLANTA DIVISION
IN THE MATTER OF: : CASE NUMBER: A05-67727-PWB
:
SHARON LISA SWEAT :
a/k/a LISA WU SWEAT :
a/k/a SHARON MILLETTE WU, ::
IN PROCEEDINGS UNDER
: CHAPTER 7 OF THE
Debtor. : BANKRUPTCY CODE
::
KEITH SWEAT, ::
Plaintiff ::
v. ::
SHARON LISA SWEAT : ADVERSARY PROCEEDING
a/k/a LISA WU SWEAT : NO. 05-6331
a/k/a SHARON MILLETTE WU, ::
Defendant. :
ORDER DENYING MOTION TO EXCLUDE ISSUE FROM PRETRIAL ORDER
On March 21, 2007, the Court conducted a pretrial conference with counsel for the
Plaintiff and counsel for the Debtor. In response to issues raised at the pretrial conference, the
Debtor has filed a motion to exclude from the proposed pretrial order the issue of whether the
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Debtor fraudulently misappropriated the Plaintiff’s name and likeness. The Plaintiff opposes the
Debtor’s motion.
The following facts are undisputed according to the proposed pretrial order. The Debtor
is the ex-wife of the Plaintiff. The Debtor was and is the sole shareholder and director of Black
Ball, Inc., a Georgia corporation created for the purpose of holding and owning the movie, “Black
Ball.” The Plaintiff entered into a written agreement with the Debtor and Black Ball, Inc., whereby
he loaned the Debtor $150,000 to help fund production of the movie. The agreement contained
terms for repayment of the loan, as well as terms for the distribution of compensation of profits and
restrictions on the sale and licensing of the movie.
The Plaintiff contends that the Debtor and her distribution company entered into a
distribution agreement with another entity (which then entered into a second agreement with
another party) for the distribution and sale of the film without the Plaintiff’s permission. The
Plaintiff contends that the Debtor failed to obtain his written approval before entering into a
distribution agreement; wrongfully concealed from the Plaintiff the existence of these agreements;
failed to account for loan proceeds; concealed profits arising from the distribution agreement; and
made false and fraudulent statements pertaining to the sale and licensing of the movie. The Debtor
disputes the allegations and, inter alia, contends that she has received no compensation from the
movie and that the parties varied the terms of the agreement between themselves.
At issue is the Plaintiff’s inclusion of the question of whether the Debtor “fraudulently
misappropriated Plaintiff’s name and likeness” in the Plaintiff’s statement of legal issues to be
tried. The Plaintiff’s statement of the case also states that the Debtor “willfully and maliciously
misappropriated Plaintiff’s name in connection with the Movie and is not entitled to a discharge
under 11 U.S.C. § 523(a)(6) based on the same.” The Debtor objects to this issue being included
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(and, it follows, being litigated and tried) and contends that the inclusion of the Plaintiff’s name
in the credits as executive producer was appropriate and that the Plaintiff has not presented any
facts which support his position that the Debtor misappropriated his name and likeness.
If the Plaintiff had failed to properly plead this issue, thereby depriving the Debtor of the
ability to prepare a defense in anticipation of trial, the Debtor arguably would have a basis for
objecting to inclusion of this issue in the pretrial order. However, the Plaintiff’s complaint
sufficiently sets forth this claim as follows (Complaint, ¶ 34):
The debt owing Plaintiff is for and based, at least in part, upon the willful and
malicious injury by the Debtor to the Plaintiff or to the property of the
Plaintiff. For example and without limitation:
a. The Debtor has improperly associated the Plaintiff’s name with the Movie.
A factual dispute as to whether the Plaintiff can prove his claim is not a basis for
exclusion of the claim from the pretrial order. The time for filing a motion for summary judgment
expired prior to the submission of the pretrial order and the pretrial conference and it is clear that
even if such a motion was properly before the Court, based on the divergent versions of the facts
as reflected in the parties’ separate statements of the case included in the pretrial order, there are
genuine issues as to material facts. Based on the foregoing, the Court concludes that there is no
basis for excluding the issue of whether the Debtor fraudulently misappropriated Plaintiff’s name
and likeness in connection with the movie. Therefore, it is
ORDERED that the Debtor’s motion is denied.
The Clerk is directed to serve copies of this Order on counsel for the Plaintiff and
counsel for the Defendant.
End of Document